Background and career
Anne Bancroft (born Anna Maria Louisa Italiano; September 17, 1931 – June 6, 2005) was an American actress. Respected for her acting prowess and versatility, Bancroft received an Academy Award, three BAFTA Awards, two Golden Globe Awards, two Tony Awards, two Primetime Emmy Awards, and a Cannes Film Festival Award. She is one of 24 thespians to achieve the Triple Crown of Acting. Associated with the method acting technique, having studied under Lee Strasberg at the Actors Studio, Bancroft made her film debut in the noir thriller Don't Bother to Knock in 1952, and appeared in 14 other films over the following five years. In 1958, she made her Broadway debut with the play Two for the Seesaw, winning the Tony Award for Best Featured Actress in a Play. The next year she portrayed Anne Sullivan in the original Broadway production of The Miracle Worker, winning the Tony Award for Best Actress in a Play. After her continued success on stage, Bancroft's film career was revived when she was cast in the acclaimed film adaptation of The Miracle Worker (1962) for which she won the Academy Award for Best Actress. Her film career progressed with Oscar nominated performances in The Pumpkin Eater (1964), The Graduate (1967), The Turning Point (1977), and Agnes of God (1985). Bancroft continued to act in the later half of her life, with prominent roles including Mary Magdalene in Franco Zeffirelli's Jesus of Nazareth (1977), The Elephant Man (1980), To Be or Not to Be (1983), Garbo Talks (1984), 84 Charing Cross Road (1987), Torch Song Trilogy (1988), Home for the Holidays (1995), G.I. Jane (1997), Great Expectations (1998), and Up at the Villa (2000). She had received multiple Primetime Emmy Award nominations, including for the television films Broadway Bound (1992), Deep in My Heart (1999), for which she won, and The Roman Spring of Mrs. Stone (2003). She died in 2005, at the age of 73, as a result of uterine cancer. She was married to director, actor, and writer Mel Brooks, with whom she had a son, author Max Brooks.
Bancroft was born Anna Maria Louisa Italiano on September 17, 1931, in the Bronx, New York, the middle of three daughters of Mildred Carmela (née Di Napoli; 1907–2010), a telephone operator, and Michael Gregory Italiano (1905–2001), a dress pattern maker. Her parents were children of Italian immigrants from Muro Lucano, Basilicata. She grew up Roman Catholic. Bancroft was raised in Little Italy, in the Belmont neighborhood of the Bronx, attended P.S. 12, later moving to 1580 Zerega Ave. and graduating from Christopher Columbus High School in 1948. She then attended HB Studio, the American Academy of Dramatic Arts, the Actors Studio and the American Film Institute's Directing Workshop for Women at the University of California, Los Angeles. After appearing in a number of live television dramas, including Studio One and The Goldbergs under the name Anne Marno, later, at Darryl Zanuck's insistence, she chose the less foreign-sounding surname of Bancroft "because it sounded dignified".
Bancroft made her screen debut with a major role in the 1952 Marilyn Monroe-led psychological thriller Don't Bother to Knock. She appeared in 14 films over the next five years, including Treasure of the Golden Condor (1953), Gorilla at Large (1954), Demetrius and the Gladiators (1954), New York Confidential (1955) and Walk the Proud Land (1956). After three weeks of location work on The Last Hunt (1955), a horse got out of control causing Bancroft to land hard on the horn of her saddle. Due to hospitalization she was replaced as the Native American girl by Debra Paget; although some of her long-distance shots were retained in finished film. In 1957, Bancroft was directed by Jacques Tourneur in a David Goodis adaptation, Nightfall. In 1958, she made her Broadway debut as lovelorn, Bronx-accented Gittel Mosca opposite Henry Fonda (as the married man Gittel loves) in William Gibson's two-character play Two for the Seesaw, directed by Arthur Penn. For the role, she won the Tony Award for Best Featured Actress in a Play.
Bancroft won the Tony Award for Best Actress in a Play in 1960, again with playwright Gibson and director Penn, when she played Annie Sullivan, the young woman who teaches the child Helen Keller to communicate in The Miracle Worker. She reprised her role in the 1962 film and won the Academy Award for Best Actress, with Patty Duke repeating her own success as Keller alongside Bancroft. As Bancroft had returned to Broadway to star in Mother Courage and Her Children, Joan Crawford accepted the Oscar on her behalf and later presented the award to her in New York.
Bancroft co-starred as a medieval nun obsessed with a priest (Jason Robards) in the 1965 Broadway production of John Whiting's play The Devils. Produced by Alexander H. Cohen and directed by Michael Cacoyannis, it ran for 63 performances.
Bancroft received a second nomination for the Academy Award for Best Actress for her performance in The Pumpkin Eater (1964). Bancroft achieved stardom when she played the starring role as Mrs. Robinson in the romantic comedy-drama The Graduate (1967). In the film, she played an unhappily married woman who seduces the son of her husband's law firm partner, the much younger recent college graduate played by Dustin Hoffman. In the film, Hoffman's character later dates and falls in love with her daughter. Bancroft was ambivalent about her appearance in The Graduate; she said in several interviews that the role overshadowed her other work. Despite her character becoming an archetype of the "older woman" role, Bancroft was only 36 years old at the time—just eight years older than her onscreen daughter Katharine Ross and six years older than Hoffman. The film, and her performance, received widespread critical acclaim, earning her a third nomination for the Academy Award for Best Actress. A CBS television special, Annie: The Women in the Life of a Man (1970), won Bancroft an Emmy Award for her singing and acting.
