Background and career
Anna-Lou Leibovitz ( LEE-bə-vits; born October 2, 1949) is an American portrait photographer best known for her portraits, particularly of celebrities, which often feature subjects in intimate settings and poses. Leibovitz's Polaroid photo of John Lennon and Yoko Ono, taken five hours before Lennon's murder, is considered one of Rolling Stone magazine's most famous cover photographs. The Library of Congress declared her a Living Legend, and she is the first woman to have a feature exhibition at Washington's National Portrait Gallery. Leibovitz was a student in the 1970s when her photos were published for the first time: pictures of Vietnam War protesters in Israel, taken on assignment for Rolling Stone, one of which landed on the cover. Since then, she has captured film stars, politicians, athletes, royalty and artists for features and cover stories in other major publications, including Vanity Fair, Vogue and Time.
Born in Waterbury, Connecticut, on October 2, 1949, Anna-Lou Leibovitz is the third of six children of Marilyn Edith (née Heit) and Samuel Leibovitz. She is a third-generation American. Her father was a lieutenant colonel in the U.S. Air Force of Romanian-Jewish heritage and her mother was a modern dance instructor of Estonian-Jewish heritage. Her love for photography began at a young age when her father gave her a camera. The family moved frequently with her father's duty assignments, and she took her first pictures when he was stationed in the Philippines during the Vietnam War. After her family returned from the Philippines, she attended the San Francisco Art Institute, where she studied painting and photography. Leibovitz's passion for art was born out of her mother's engagement with dance, music, and painting. While attending Northwood High School in Silver Spring, Maryland, she became interested in various artistic endeavors and began to write and play music. Leibovitz attended the San Francisco Art Institute, where she studied painting with the intention of becoming an art teacher. At school, she had her first photography workshop and changed her major to photography. She was inspired by the work of Robert Frank and Henri Cartier-Bresson. For several years, she continued to develop her photography skills while holding various jobs, including a stint on a kibbutz in Amir, Israel, for several months in 1969. Leibovitz attended the San Francisco Art Institute from 1967 until 1971. By the time Leibovitz received her bachelor of fine arts degree in 1971, her photographs of Israel and a picture of the poet Allen Ginsberg at a San Francisco peace march had already landed her a job at the music magazine Rolling Stone.
For many years, Leibovitz's camera of choice was a Mamiya RZ67. She also has used the following cameras:
Hasselblad 500 C/M Minolta SRT-101 Nikon D810 Fuji 6×9 medium format camera (a.k.a. The 'Texas Leica') Canon 5D Mark II Hasselblad H5D
When Leibovitz returned to the United States in 1970, she started her career as staff photographer for Rolling Stone magazine. In 1973, publisher Jann Wenner named Leibovitz chief photographer of Rolling Stone, a job she would hold for 10 years. Leibovitz worked for the magazine until 1983, and her intimate photographs of celebrities helped define the Rolling Stone look. While working for Rolling Stone, Leibovitz learned that she could work for magazines and still create personal work of her family, which for her was the most important: "You don't get the opportunity to do this kind of intimate work except with the people you love, the people who will put up with you. They're the people who open their hearts and souls and lives to you. You must take care of them."
Leibovitz photographed the Rolling Stones in San Francisco in 1971 and 1972, and served as the concert-tour photographer for the Rolling Stones' Tour of the Americas '75. Her favorite photo from the tour was a photo of Mick Jagger in an elevator. The mid-1970s brought Leibovitz an increasing amount of notoriety and its concomitant tribulations. In 1975, the Rolling Stones invited Leibovitz to document their six-month concert tour. Living in the world of her subjects, her camera did not shield Leibovitz from the rock 'n' roll life-style. She began using cocaine on tour and struggled for years afterward to recover.
