Background and career
George Glenn Jones (September 12, 1931 – April 26, 2013) was an American country musician, singer, and songwriter. He achieved international fame for a long list of hit records, and is well known for his distinctive voice and phrasing. For the last two decades of his life, he was frequently referred to as "the greatest living country singer" and "The Rolls-Royce of Country Music". In 1959, Jones recorded "White Lightning", written by The Big Bopper, which launched his career as a singer. Years of alcoholism and drug addiction severely compromised his health and led to his missing many performances, earning him the nickname "No Show Jones". He died in 2013, aged 81, from hypoxic respiratory failure.
George Glenn Jones was born on September 12, 1931, in Saratoga, Texas, and was raised with a brother and five sisters in Colmesneil, in the Big Thicket region of southeast Texas. His father, George Washington Jones, worked in a shipyard and played harmonica and guitar; his mother, Clara (née Patterson), played piano in the Pentecostal church on Sundays. When Jones was born, his arm was broken when one of the doctors dropped him. He heard country music for the first time when he was seven, when his parents bought a radio. Jones recalled to Billboard in 2006 that he would lie in bed with his parents on Saturday nights listening to the Grand Ole Opry, and would insist that his mother wake him if he fell asleep so that he could hear Roy Acuff or Bill Monroe. In his autobiography I Lived To Tell It All, Jones recalled that the early death of his sister Ethel worsened his father's drinking problem, which caused him to be physically and emotionally abusive to his wife and children. In his biography George Jones: The Life and Times of a Honky Tonk Legend, Bob Allen recounts how George Washington Jones would return home drunk in the middle of the night with his cronies, wake up his terrified son and demand that he sing for them or face a beating. In a CMT episode of Inside Fame dedicated to Jones's life, country music historian Robert K. Oermann said, "You would think that it would make him not a singer, because it was so abusively thrust on him. But the opposite happened; he became ... someone who had to sing." In the same program, Jones admitted that he remained ambivalent and resentful towards his father until the day he died. He observed in his autobiography, "The Jones family makeup doesn't sit well with liquor ... Daddy was an unusual drinker. He drank to excess, but never while working, and he probably was the hardest working man I've ever known." He was nine when his father bought him his first guitar; he learned his first chords and songs at church. Several photographs show a young George busking on the streets of Beaumont.
He left home at 16 and went to Jasper, Texas, where he sang and played on the KTXJ radio station with fellow musician Dalton Henderson. He moved to the KRIC radio station, and during an afternoon show there met his idol, Hank Williams ("I just stared," he later wrote). In the 1989 video documentary Same Ole Me, Jones admitted, "I couldn't think or eat nothin' unless it was Hank Williams, and I couldn't wait for his next record to come out. He had to be, really, the greatest." He married his first wife, Dorothy Bonvillion in 1950; they divorced in 1951. He was enlisted in the United States Marines, and until his discharge in 1953, he was stationed in San Jose, California.
Jones married Shirley Ann Corley in 1954. His first record, the self-penned "No Money in This Deal", was recorded on January 19, 1954, and released in February on Starday Records. This began Jones's association with producer and mentor H.W. "Pappy" Daily. The song was cut in the living room of Starday Records' co-founder Jack Starnes, who produced it. Around this time Jones also worked at KTRM (now KZZB) in Beaumont. Deejay Gordon Baxter told Nick Tosches that Jones had acquired the nickname "possum" while working there. During his early recording sessions, Daily admonished Jones for attempting to sound too much like his heroes Hank Williams and Lefty Frizzell. In 1996 Jones recalled to NPR that the quality of production at Starday was poor. "It was a terrible sound. We recorded in a small living room of a house on a highway near Beaumont. You could hear the trucks. We had to stop a lot of times because it wasn't soundproof, it was just egg crates nailed on the wall and the big old semi trucks would go by and make a lot of noise and we'd have to start over again." Jones's first hit came with "Why Baby Why" in 1955, and in that year, while touring as a cast member of the Louisiana Hayride, Jones met and played shows with Elvis Presley and Johnny Cash. In 1994, Jones told Nick Tosches that Presley "stayed pretty much with his friends around him in his dressing room". Jones remained a lifelong friend of Johnny Cash, and was invited to sing at the Grand Ole Opry in 1956. With Presley's explosion in popularity in 1956, pressure was put on Jones to cut some rockabilly sides. He reluctantly agreed, but his heart was not in it and he quickly regretted his decision. He joked later in his autobiography, "When I've encountered those records I've used them for Frisbees." He told Billboard in 2006: "I was desperate. When you're hungry, a poor man with a house full of kids, you're gonna do some things you ordinarily wouldn't do. I said, 'Well, hell, I'll try anything once.' I tried 'Dadgum It How Come It' and 'Rock It', a bunch of shit. I didn't want my name on the rock and roll thing, so I told them to put Thumper Jones on it and if it did something, good, if it didn't, hell, I didn't want to be shamed with it." He unsuccessfully attempted to buy all the masters to keep the cuts from surfacing later, which they did. Jones moved to Mercury in 1957, teamed up with singer Jeannette Hicks, the first of several duet partners he would have over the years, and had another top-10 single with "Yearning". Starday Records merged with Mercury that year, and Jones was rated highly on the charts with his debut Mercury release, "Don't Stop the Music". Although he was garnering a lot of attention, and his singles were making very respectable showings on the charts, he was still travelling the black-top roads in a 1940s Packard with his name and phone number on the side, playing the "blood bucket" circuit of honky-tonks that dotted the rural countryside.
In 1959, Jones had his first number one on the Billboard country chart with "White Lightnin'", which was a more authentic rock and roll sound than his half-hearted rockabilly cuts. Jones had early success as a songwriter. He wrote or co-wrote many of his biggest hits during this period, several of which became standards, such as "Window Up Above" (later a hit for Mickey Gilley in 1975) and "Seasons of My Heart" (a hit for Johnny Cash, and also recorded by Willie Nelson and Jerry Lee Lewis). Jones wrote "Just One More" (also recorded by Cash), "Life To Go" (a top-five hit for Stonewall Jackson in 1959), "You Gotta Be My Baby", and "Don't Stop The Music" on his own, and had a hand in writing "Color of the Blues" (covered by Loretta Lynn and Elvis Costello), "Tender Years", and "Tall, Tall Trees" (co-written with Roger Miller). Jones's most frequent songwriting collaborator was his childhood friend Darrell Edwards. Jones signed with United Artists in 1962, and immediately scored one of the biggest hits of his career, "She Thinks I Still Care". His voice had grown deeper during this period, and he began cultivating his own singing style. During his stint with UA, Jones recorded albums of Hank Williams and Bob Wills songs, and cut an album of duets with Melba Montgomery, including the hit "We Must Have Been Out of Our Minds". Jones was also gaining a reputation as a hell-raiser. In his Rolling Stone tribute, Merle Haggard recalled:
"I met him at the Blackboard Café in Bakersfield, California, which was the place to go in '61. He was already famous for not showing up or showing up drunk, and he showed up drunk. I was onstage – I think I was singing Marty Robbins' 'Devil Woman' – and he kicked the doors of the office open and said 'Who the fuck is that?' It was one of the greatest compliments of my entire life when George Jones said I was his favorite country singer ... In 1967, I released a ballad called "I Threw Away the Rose" and he was so impressed he actually jumped ship and left his tour, rented a Lear Jet and came to Amarillo, Texas. He told me my low note changed his life." Jones was always backed by the Jones Boys on tour. Like Buck Owens's Buckaroos and Merle Haggard's Strangers, Jones worked with many talented musicians, including Dan Schafer, Hank Singer, Brittany Allyn, Sonny Curtis, Kent Goodson, Bobby Birkhead, and Steve Hinson. In the 1980s and 1990s, bass player Ron Gaddis served as the Jones Boys' bandleader and sang harmony with Jones in concert. Lorrie Morgan (who married Gaddis) also toured as a backup singer for Jones in the late 1970s and early 1980s. Johnny Paycheck was the Jones Boys' bass player in the 1960s before going on to his own stardom in the 1970s.
