Background and career
Gilbert Scott-Heron (April 1, 1949 – May 27, 2011) was an American jazz poet, singer, musician and author, known for his work as a spoken-word performer in the 1970s and 1980s. His collaborative efforts with musician Brian Jackson fused jazz, blues and soul with lyrics relative to social and political issues of the time, delivered in both rapping and melismatic vocal styles. He referred to himself as a "bluesologist", his own term for "a scientist who is concerned with the origin of the blues". His poem "The Revolution Will Not Be Televised", delivered over a jazz-soul beat, is considered a major influence on hip-hop music. Scott-Heron's music, particularly on the album Pieces of a Man and Winter in America during the early 1970s, influenced and foreshadowed later African-American music genres, including hip-hop and neo soul. His recording work received much critical acclaim, especially for "The Revolution Will Not Be Televised".
AllMusic's John Bush called him "one of the most important progenitors of rap music", stating that "his aggressive, no-nonsense street poetry inspired a legion of intelligent rappers while his engaging songwriting skills placed him square in the R&B charts later in his career." Scott-Heron remained active until his death and in 2010 released his first new album in 16 years, titled I'm New Here. A memoir he had been working on for years up to the time of his death, The Last Holiday, was published posthumously in January 2012. Scott-Heron received a posthumous Grammy Lifetime Achievement Award in 2012. He also is included in the exhibits at the National Museum of African American History and Culture (NMAAHC) that officially opened on September 24, 2016, on the National Mall and in an NMAAHC publication, Dream a World Anew. In 2021, Scott-Heron was posthumously inducted into the Rock and Roll Hall of Fame, as a recipient of the Early Influence Award.
Early years Gil Scott-Heron was born in Chicago. His mother, Bobbie Scott, born in Mississippi, was an opera singer who performed with the Oratorio Society of New York. His father, Gil Heron, nicknamed "The Black Arrow", was a Jamaican footballer who in the 1950s became the first black man to play for Celtic F.C. in Glasgow, Scotland. Gil's parents separated in his early childhood and he was sent to live with his maternal grandmother, Lillie Scott, in Jackson, Tennessee. When Scott-Heron was 12 years old, his grandmother died and he returned to live with his mother in The Bronx in New York City. He enrolled at DeWitt Clinton High School but later transferred to The Fieldston School, after impressing the head of the English department with some of his writings and earning a full scholarship. As one of five Black students at the prestigious school, Scott-Heron was faced with alienation and a significant socioeconomic gap.
During his admissions interview at Fieldston, an administrator asked him: "'How would you feel if you see one of your classmates go by in a limousine while you're walking up the hill from the subway?' And [he] said, 'Same way as you. Y'all can't afford no limousine. How do you feel?'" This type of intractable boldness would become a hallmark of Scott-Heron's later recordings. After completing his secondary education, Scott-Heron decided to attend Lincoln University in Oxford, Pennsylvania because Langston Hughes (his most important literary influence) was an alumnus. It was here that Scott-Heron met Brian Jackson, with whom he formed the band Black & Blues. After about two years at Lincoln, Scott-Heron took a year off to write the novels The Vulture and The Nigger Factory. Scott-Heron was very heavily influenced by the Black Arts Movement (BAM).
