Background and career
Richard Jay Potash (June 26, 1946 – November 24, 2018) was an American stage magician, actor, and writer. In a 1993 profile for The New Yorker, Mark Singer called Jay "perhaps the most gifted sleight of hand artist alive". In addition to sleight of hand, he was known for his card tricks, card throwing, memory feats, and stage patter. He also wrote extensively on magic and its history. His acting credits include The Prestige, The Spanish Prisoner, Mystery Men, Heist, Boogie Nights, Tomorrow Never Dies, Heartbreakers, State and Main, House of Games, Magnolia, Deadwood and Sneaky Pete. In 2015, he was the subject of an episode of PBS's American Masters, the only magician ever profiled in the series.
Jay was born on June 26, 1946, in Brooklyn, New York, to Shirley (née Katz) and Samuel Potash. A member of a middle-class Jewish family, he grew up in Elizabeth, New Jersey. He rarely spoke publicly about his parents, but did share an anecdote: "My father oiled his hair with Brylcreem and brushed his teeth with Colgate", Jay recalled. "He kept his toothpaste in the medicine cabinet and the Brylcreem in a closet about a foot away. Once, when I was ten, I switched the tubes. All you need to know about my father is that after he brushed his teeth with Brylcreem he put the toothpaste in his hair." During an interview on the National Public Radio program Fresh Air with Terry Gross, Jay said that possibly "the only kind memory I ever had of my parents" was when they secretly hired one of his idols, magician Al Flosso, to perform at his bar mitzvah. Jay's grandfather, Max Katz, was a certified public accountant and amateur magician who introduced Jay to magic.
Jay first performed in public at the age of seven, in 1953, when he appeared on the television program Time for Pets. He is most likely the youngest magician to perform a full magic act on TV, the first magician to ever play comedy clubs, and probably the first magician to open for a rock and roll band. At New York's Electric Circus in the 1960s, he performed on a bill between Ike and Tina Turner and Timothy Leary, who lectured about LSD. During the 1960s and 1970s, Jay lived in Ithaca, New York, performing while also intermittently attending the Cornell University School of Hotel Administration, but later moved to the Los Angeles area. He quickly developed a following among magic aficionados, and a reputation for sleight-of-hand feats that baffled even his colleagues. In his 1993 New Yorker profile of Jay, Mark Singer related the following story from playwright David Mamet and theater director Gregory Mosher:
Some years ago, late one night in the bar of the Ritz-Carlton Hotel in Chicago, [Jay] was performing magic with a deck of cards. Also present was a friend of Mamet and Mosher's named Christ Nogulich, the director of food and beverage at the hotel. After twenty minutes of disbelief-suspending manipulations, Jay spread the deck face up on the bar counter and asked Nogulich to concentrate on a specific card but not to reveal it. Jay then assembled the deck face down, shuffled, cut it into two piles, and asked Nogulich to point to one of the piles and name his card. "Three of clubs," Nogulich said, and he was then instructed to turn over the top card. He turned over the three of clubs. Mosher, in what could be interpreted as a passive-aggressive act, quietly announced, "Ricky, you know, I also concentrated on a card." After an interval of silence, Jay said, "That's interesting, Gregory, but I only do this for one person at a time." Mosher persisted: "Well, Ricky, I really was thinking of a card." Jay paused, frowned, stared at Mosher, and said, "This is a distinct change of procedure." A longer pause. "All right—what was the card?" "Two of spades." Jay nodded, and gestured toward the other pile, and Mosher turned over its top card. The deuce of spades. A small riot ensued. Three of Jay's one-man shows, Ricky Jay and His 52 Assistants, Ricky Jay: On the Stem, and Ricky Jay: A Rogue's Gallery, were directed by Mamet, who also cast Jay in a number of his films. A collector and historian, Jay was a student and friend of Dai Vernon, whom he called "the greatest living contributor to the magical art." He collected rare books and manuscripts, art, and other artifacts connected to the history of magic, gambling, unusual entertainments, and frauds and confidence games. Jay opposed any public revelations of the techniques of magic. Following Jay's death, portions of his collection were sold at auction. In October 2021, Sotheby's held a two-day auction in New York devoted to the Ricky Jay Collection. In 2023, Potter & Potter Auctions held two further auctions from his collection, on February 25 and October 28. Jay was formerly listed in the Guinness World Records for throwing a playing card 190 ft at 90 miles per hour (140 km/h) (the current record is 216 feet (66 m) by Rick Smith Jr.). He could throw a playing card into a watermelon rind (which he referred to as the "thick, pachydermatous outer melon layer" and "the most prodigious of household fruits") from ten paces. In addition, he was able to throw a card into the air like a boomerang and cut it cleanly in half with a pair of "giant scissors" upon its return. In his shows, he often attacked plastic animals with thrown cards in "self defense".
Jay appeared in a number of David Mamet films including House of Games, The Spanish Prisoner and Redbelt; he also appeared in a few episodes of the Mamet-produced TV series The Unit as a C.I.A. recruiter. Jay played Henry Gupta, a henchman to villain Elliot Carver, in the James Bond film Tomorrow Never Dies; and appeared in Paul Thomas Anderson's Boogie Nights and Magnolia, as well as Christopher Nolan's The Prestige. He joined the cast of the HBO western drama Deadwood as a recurring character and writer for the first season in 2004, playing card sharp Eddie Sawyer. He wrote the episode "Jewel's Boot Is Made for Walking" and left the series at the end of the first season.
As an expert on magic, gambling, con games and unusual entertainment, Jay was a consultant on Hollywood projects for many years, beginning with his work on Francis Ford Coppola's production of Caleb Deschanel's The Escape Artist. Other early work included teaching Robert Redford how to manipulate coins for The Natural and working with Douglas Trumbull on his Showscan project New Magic (1983). In the early 1990s, Jay and Michael Weber created a firm, Deceptive Practices, providing "Arcane Knowledge on a Need-to-Know Basis" to film, television and stage productions. By offering both vast historical expertise and creative invention, they were able to provide surprising practical solutions to real production challenges. Among many accomplishments, they designed the wheelchair that hid Gary Sinise's legs in Forrest Gump, the glass that "drinks itself" used by the gorilla in Congo, and an illusion "in which a man climbs to the top of a ladder of light and vanishes in midair" for the Broadway production of Angels in America: Perestroika. Other projects they worked on included The Prestige, The Illusionist, Sneakers, Leap of Faith, Wolf, The Parent Trap, I Love Trouble, The Great Buck Howard, Heartbreakers, and Ocean's Thirteen. Additionally, he worked with libraries and museums on their collections, including the Mulholland Library of Conjuring and the Allied Arts and the Museum of Jurassic Technology in Culver City, California.
Sources
Net-worth figure: Celebrity Net Worth (October 2026), in USD. Biography and career facts: the person's Wikipedia article and linked reporting. Snapshot date for all StarWorth figures: 28 October 2026.
