Background and career
Michael Trent Reznor (born May 17, 1965) is an American musician, singer, songwriter, and composer. He came to prominence as the founder, lead singer, multi-instrumentalist, and primary songwriter of the industrial rock band Nine Inch Nails. The band's line-up has constantly changed, with Reznor being its only official member from its creation in 1988 until 2016, when he added English musician and frequent collaborator Atticus Ross as its second permanent member. Reznor began his career in 1982 as a member of synth-pop bands such as The Innocent, Slam Bamboo, and Exotic Birds. The first Nine Inch Nails album, Pretty Hate Machine (1989), was a moderate success but largely remained popular with underground audiences; the next two albums, The Downward Spiral (1994) and The Fragile (1999), brought the band widespread critical acclaim. There have since been eight Nine Inch Nails albums and six EPs. Reznor has also contributed to the work of artists such as rock singer Marilyn Manson, rapper Saul Williams, and pop singer Halsey. Alongside his wife Mariqueen Maandig and long-time collaborators Atticus Ross and Rob Sheridan, he formed the post-industrial group How to Destroy Angels in 2009. Since 2010, Reznor and Ross have worked on numerous film and television scores, most notably for movies directed by David Fincher and Luca Guadagnino. These include Fincher's The Social Network (2010), The Girl with the Dragon Tattoo (2011), and Gone Girl (2014), as well as Guadagnino's Bones and All (2022), Challengers (2024), and Queer (2024). Reznor and Ross twice won the Academy Award for Best Original Score – for The Social Network and Soul (2020), and won two Grammy Awards for scoring The Girl with the Dragon Tattoo and Soul, sharing both awards (as well as the Golden Globe) for Soul with co-composer Jon Batiste. Reznor and Ross won the Primetime Emmy Award for Outstanding Music Composition for a Limited Series for Watchmen (2019). The pair also scored Ken Burns's 10-part documentary The Vietnam War (2017).
Michael Trent Reznor was born in New Castle, Pennsylvania, on May 17, 1965, the son of Nancy Lou (née Clark) and Michael Reznor. He is of German and Irish descent, and grew up in Mercer. His great-grandfather, George Reznor, founded the heating and air conditioning manufacturer Reznor Company in 1884. After his parents divorced when he was six years old, Reznor's sister Tera lived with their mother while he went to live with his maternal grandparents. He began playing the piano at the age of 12 and showed an early aptitude for music. His grandfather told People in February 1995, "He was a good kid [...] a Boy Scout who loved to skateboard, build model planes, and play the piano. Music was his life, from the time he was a wee boy. He was so gifted." Reznor has acknowledged that his sheltered life left him feeling isolated from the outside world. In a September 1994 interview with Rolling Stone, he said of his career choices, "I don't know why I want to do these things, other than my desire to escape from Small Town, U.S.A., to dismiss the boundaries, to explore. It isn't a bad place where I grew up, but there was nothing going on but the cornfields. My life experience came from watching movies, watching TV and reading books and looking at magazines. And when your culture comes from watching TV every day, you're bombarded with images of things that seem cool, places that seem interesting, people who have jobs and careers and opportunities. None of that happened where I was. You're almost taught to realize it's not for you." However, in April 1995, he told Details that he did not "want to give the impression it was a miserable childhood". Reznor would later recall, "The first concert I ever saw was the Eagles in 1976. The excitement of the night struck a chord with me and I remember thinking, 'Someday I'd love to be up on that stage.'" At Mercer Area Junior/Senior High School, he learned to play the tenor saxophone and tuba, and was a member of both the jazz band and marching band. The school's former band director remembered him as "very upbeat and friendly". He became involved in theater while in high school, being awarded the "Best in Drama" accolade by his classmates for his roles as Judas in Jesus Christ Superstar and Professor Harold Hill in The Music Man. He graduated in 1983 and enrolled at Allegheny College in Meadville, where he studied computer engineering.
While still in high school, Reznor joined local band Option 30 and played three shows a week with them. After a year of college, he dropped out to pursue a career in music in Cleveland, Ohio. His first band in Cleveland was the Urge, a cover band. In 1985, he joined The Innocent as a keyboardist; they released one album, Livin' in the Street, but Reznor left the band after three months. In 1986, he joined local band Exotic Birds and appeared with them as a fictional band called The Problems in the 1987 film Light of Day. During this time, Reznor also contributed on keyboards to the band Slam Bamboo and briefly joined the new wave band Lucky Pierre. Reznor got a job at Cleveland's Right Track Studio as an assistant engineer and janitor. Studio owner Bart Koster later commented, "He is so focused in everything he does. When that guy waxed the floor, it looked great." Reznor asked Koster for permission to record demos of his own songs for free during unused studio time. Koster agreed, remarking that it cost him "just a little wear on [his] tape heads".
While assembling the earliest Nine Inch Nails recordings, Reznor was unable to find a band that could articulate his songs as he wanted. Instead, inspired by Prince, he played all the instruments except drums himself. He continued in this role on most Nine Inch Nails studio recordings, though he has occasionally involved other musicians, assistants, drummers, and rhythm experts. Several labels responded favorably to the demo material, and Reznor signed with TVT Records. Nine selections from the Right Track demos were unofficially released years later in 1994 as Purest Feeling and many of these songs appeared in revised form on Pretty Hate Machine, Reznor's first official release under the Nine Inch Nails name. Pretty Hate Machine was released in 1989 and was a moderate commercial success, certified Gold in 1992. Amid pressure from his record label to produce a follow-up to Pretty Hate Machine, Reznor secretly began recording under various pseudonyms to avoid record company interference, resulting in an EP called Broken (1992). Nine Inch Nails was included in the Lollapalooza tour in the summer of 1991, and won a Grammy Award in 1993 under "Best Heavy Metal Performance" for the song "Wish". Nine Inch Nails's second full-length album, The Downward Spiral, entered the Billboard 200 chart in 1994 at number two, and remains the highest-selling Nine Inch Nails release in America. To record the album, Reznor rented and moved into the 10050 Cielo Drive mansion, where the Tate–LaBianca murders had been perpetrated by the Manson Family in 1969. He built a studio space in the house, which he renamed Le Pig, after the word that was scrawled on the front door in Sharon Tate's blood by her murderers. Reznor told Entertainment Weekly that, despite the notoriety attached to the house, he chose to record there because he "looked at a lot of places, and this just happened to be the one I liked most". He explained that he was fascinated by the house due to his interest in "American folklore", but has stated that he does not "want to support serial-killer bullshit." Nine Inch Nails toured extensively over the next few years, including a performance at Woodstock '94, although Reznor admitted to the audience that he did not like to play large venues. Around this time, Reznor's studio perfectionism, struggles with addiction, and bouts of writer's block prolonged the production of a follow-up to The Downward Spiral. In 1999, the double album The Fragile was released. It was partially successful, garnering generally positive critical reception, but lost money for Reznor's label, so he funded the North American Fragility Tour out of his own pocket. A further six years followed before the next Nine Inch Nails album With Teeth was released. Reznor went into rehab during the time between the two records, and was able to manage his drug addictions. With Teeth reached No. 1 on the Billboard 200. After With Teeth, Reznor released the concept album Year Zero in 2007, which has an alternate reality game themed after the album (see Year Zero (game)) which is about how the current policies of the American government will affect the world in the year 2022. After Year Zero's release, Reznor broke from large record labels and released two albums, Ghosts I–IV and The Slip, independently on his own label, The Null Corporation. In 2009, Nine Inch Nails went on hiatus following the Wave Goodbye Tour. Nine Inch Nails returned to large record labels in 2013, signing with Columbia Records, and releasing the album Hesitation Marks that September. Atticus Ross, a frequent collaborator of Reznor's since 2002, was announced as an official member of Nine Inch Nails in 2016 – the first and only other official member of the band besides Reznor himself. With Nine Inch Nails's new incarnation as a duo, they released a trilogy of EPs from 2016 to 2018, tied together by a loose concept and spanning a wide variety of musical styles. 2016's Not the Actual Events saw a return to the heavier industrial style of the 1990s, while 2017's Add Violence instead focused on a more electronic sound and 2018's Bad Witch ventured into experimental jazz.
One of Reznor's earliest collaborations was a Ministry side project in 1990 under the name of 1000 Homo DJs. Reznor sang vocals on a cover of Black Sabbath's "Supernaut". Due to legal issues with his label, Reznor's vocals had to be distorted to make his voice unrecognizable. The band also recorded additional versions with Al Jourgensen doing vocals. While there is still debate as to which version is Reznor and which is Jourgensen, it has been definitively stated that Reznor's vocals were used in the TVT Records's Black Box box set. He also performed with another of Jourgensen's side projects, Revolting Cocks, in 1990. He said: "I saw a whole side of humanity that I didn't know existed. It was decadence on a new level, but with a sense of humor." Reznor sang the vocals on the 1991 Pigface track "Suck" from their first album Gub, which also featured production work from Steve Albini. Reznor sang backing vocals on "Past the Mission" on Tori Amos's 1994 album Under the Pink. He produced Marilyn Manson's first album, Portrait of an American Family (1994), and several tracks on Manson's Smells Like Children (1995) and Antichrist Superstar (1996). "I went right into doing a Manson record", Reznor recalled of the latter, "which was a way of staying on tour, mentally. Every night was some ridiculous scenario. When that finished, I was really in a low emotional place, disillusioned." Relations between Reznor and Manson subsequently soured. Manson later said: "I had to make a choice between being friends and having a mediocre career, or breaking things off and continuing to succeed. It got too competitive. And he can't expect me not to want to be more successful than him." In the video for David Bowie's "I'm Afraid of Americans" (1997), Reznor plays a stalker who shows up wherever Bowie goes. In a 2016 Rolling Stone article after Bowie's death, Reznor recalled how touring with Bowie in 1995–96 inspired Reznor to stay sober. Reznor produced a remix of The Notorious B.I.G.'s song "Victory", featuring Busta Rhymes, in 1998. Under the name Tapeworm, Reznor collaborated for nearly 10 years with Danny Lohner, Maynard James Keenan, and Atticus Ross, but the project was eventually terminated before any official material was released. The only known released Tapeworm material is a reworked version of a track called "Vacant" (retitled "Passive") on A Perfect Circle's 2004 album eMOTIVe, as well as a track "Potions (Deliverance Mix)" on Puscifer's 2009 remix EP.
In 2006, Reznor played his first "solo" shows at Neil Young's annual Bridge School Benefit. Backed by a four piece string section, he performed stripped-down versions of many Nine Inch Nails songs. Reznor featured on El-P's 2007 album I'll Sleep When You're Dead, providing guest vocals on "Flyentology". Reznor co-produced Saul Williams's 2007 album The Inevitable Rise and Liberation of NiggyTardust! after Williams toured with Nine Inch Nails in 2005 and 2006. Reznor convinced Williams to release the album as a free download, while giving fans the option of paying $5 for higher quality files, or downloading all of the songs at a lower quality for free. Reznor produced songs for Jane's Addiction at his home studio in Beverly Hills, California. The first recordings (new versions of the early tracks "Chip Away" and "Whores") were released simultaneously on Jane's Addiction's website and the NINJA 2009 Tour Sampler digital EP. In November 2012, Reznor revealed on Reddit that he would be working with Queens of the Stone Age on a song for their sixth studio album, ...Like Clockwork. He had worked with the band once before, providing backing vocals on the title track of the 2007 album Era Vulgaris. Josh Homme has since revealed that Reznor was originally meant to produce the album. In January 2013, Reznor appeared in a documentary titled Sound City, directed by former Nirvana drummer and Foo Fighters frontman Dave Grohl. Sound City is based on real-life recording studio Sound City Studios, originating in Van Nuys, California. It has housed the works of some of the most famed names in music history since its founding in 1969. The film was chosen as an official selection for the 2013 Sundance Film Festival and was available to download from its official website on February 1, 2013. Reznor also contributed to the soundtrack for the film, on the track "Mantra", along with Dave Grohl and Josh Homme. Reznor appeared in a live performance with Fleetwood Mac's Lindsey Buckingham, Dave Grohl, and Queens of the Stone Age at the 2014 Grammy Award ceremony. In an interview with a New Zealand media outlet, Reznor explained his thought process at the time that he was considering his participation in the performance:
